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The song has a characteristic bass line and is set to a funk beat. For the most part, it is built entirely on a two-chord vamp: a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [5] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, [6] [7] as was one of the keyboard solos. The other keyboard solo was played on a ...
Alberti bass is a kind of broken chord or arpeggiated accompaniment, where the notes of the chord are presented in the order lowest, highest, middle, highest. This pattern is then repeated several times throughout the music. [5] The broken chord pattern helps to create a smooth, sustained, flowing sound on the piano.
The song's production consists of strong, "groovy" bass lines, "funky" disco beats, and dance rhythms. [10] Lyrically, "Boom Boom Bass" is about "celebrating the power of music" and "connecting with others through sound. [11] "Boom Boom Bass" was composed in the key of F minor, with a tempo of 117 beats per minute. [12]
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
96-button Stradella bass layout on an accordion. C is in the middle of the root note row. The Stradella Bass System (sometimes called [1] standard bass) is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key (I, IV and V) in three adjacent columns.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Feels" is a disco-funk [4] and ska [5] song containing elements of dancehall, hip hop and electronica. [6] The bassline and chord progression of the song bear resemblance to "Let's Groove" (1981) by Earth, Wind and Fire; its authors, Maurice White and Wayne Vaughn, were later acknowledged in the song's credits.
Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites. Tab may be given as the only notation (as with chord tab in songbooks that only include lyrics and chords), or, as with guitar solo transcriptions, tab and standard notation may be ...
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