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The Art of Fugue by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's Chromatic Fantasia and Fugue, BWV 903, in D minor. [1]
The Piano Concerto No. 2 in D minor, Op. 23 by Edward MacDowell was completed in late 1885. [1] [2] Although some obvious similarities with Edvard Grieg's, Camille Saint-Saëns's and Franz Liszt's concertos have often been stated, MacDowell’s composition proves to be quite original, at least compared to his First Concerto.
Piano Quintet in D minor (Bomtempo) Piano Quintet No. 1 (Fauré) Piano Sonata No. 1 (Rachmaninoff) Piano Sonata No. 2 (Prokofiev) Piano Sonata No. 17 (Beethoven) Piano Trio (Fanny Mendelssohn) Piano Trio (Fauré) Piano Trio No. 1 (Arensky) Piano Trio No. 1 (Mendelssohn) Piano Trio No. 1 (Schumann) Poème élégiaque; Polonaises, Op. 71 (Chopin)
25 Preludes in all major and minor keys, Op. 31: piano 1847 [aj] Major keys ascending chromatically from C alternate with minor keys ascending chromatically from f. There is a final 25th Prayer in C major. [57] [58] Peregrin Feigerl (1803–1877) [59] 24 Etudes or Caprices 2 violins 1847 C5 [n] [60] Charles-Valentin Alkan
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [1]
The resulting scale is, however, minor in quality, because, as the D becomes the new tonal centre, the F a minor third above the D becomes the new mediant, or third degree. Thus, when a triad is built upon the tonic, it is a minor triad. The modern Dorian mode is equivalent to the natural minor scale (or the Aeolian mode) but with a major sixth.
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