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Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. [1] His animated imagery has "become a widely recognized visual language". [2]
Crack Is Wack is a mural created in 1986 by American artist and social activist Keith Haring.. Located near the Harlem River Drive in the East Harlem neighborhood of Manhattan in New York City, the mural serves as a warning against crack cocaine use, which was rampant in major cities across the United States during the mid to late 1980s.
Tuttomondo (1989) The Boxers (1987) Todos Juntos Podemos Parar el SIDA (1989) Tower (1987). Works are in the order that the Keith Haring Foundation's website has them in. [4] Many of Haring's works are untitled, part of a series, or have similar titles; the number given to artworks on the Keith Haring Foundation's website have been added in order to differentiate between artworks.
Biographer Brad Gooch's "Radiant" reveals how much life and creativity artist Keith Haring packed into 31 years before he died of AIDS.
Keith Haring was an idealistic, miraculous and astonishing innovator, according to Simon Doonan, writer, fashion industry darling and author of “Keith Haring (Lives of the Artist).” Releasing ...
The wide-open generosity of spirit in Keith Haring's vivacious work is seen in the Broad's deft show, which culls together about 120 works that he created between 1982 and 1989.
The terms Jesus movement and Jesus people were popularized by Duane Pederson in his writings for the Hollywood Free Paper.In an interview with Sean Dietrich which took place on August 19, 2006, Pederson explained that he did not coin the phrase "Jesus People"; moreover, he credited a magazine/television interviewer who asked him if he was part of the "Jesus People".
Drawing the Line: A Portrait of Keith Haring is a 1989 American short documentary film about artist Keith Haring.Produced and directed by Elisabeth Aubert, and narrated by Gina Belafonte, [1] the film highlights Haring's emergence from the New York City graffiti subculture of the 1980s, the mass marketing of his work and the opening of the Pop Shop, and the social commentary present in his ...
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