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A horned, wolf-like creature called the Calopus or Chatloup was at one time connected with the Foljambe and Cathome family. Modernly, the coat of arms of the secular separatists in Chechnya bore the wolf, because the wolf is the Chechen (or Ichkerian) nation's national embodiment. The Islamists later removed it, and the Russian-sponsored ruling ...
Wolfsangel (German pronunciation: [ˈvɔlfsˌʔaŋəl], translation "wolf's hook") or Crampon (French pronunciation: [kʁɑ̃pɔ̃]) is a heraldic charge from mainly Germany and eastern France, which was inspired by medieval European wolf traps that consisted of a Z-shaped metal hook (called the Wolfsangel, or the crampon in French) that was hung by a chain from a crescent-shaped metal bar ...
The wolf is a national symbol of Chechnya. [5] According to folklore, the Chechens are "born of a she-wolf", as included in the central line in the national myth. [5] The "lone wolf" symbolizes strength, independence and freedom. [5] A proverb about the teips (clans) is "equal and free like wolves". [6]
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
The wolf had a long-standing place in Irish culture, and Irish literature throughout the medieval period associated warriors with wolves. They invoked a combination of ferocity, frenzied behaviour, unpredictable and savage animal behaviour, sexual potency and martial prowess.
Capitoline she-wolf in Eden Park, Cincinnati, Ohio Capitoline Wolf at Siena Duomo. According to a legend Siena was founded by Senius and Aschius, two sons of Remus. When they fled Rome, they took the statue of the She-wolf to Siena, which became the symbol of the town.
It follows from such description that the enfield, being compounded of the fox, eagle, and wolf, indicated that he, by whom it was borne, was reputed to possess the subtlety and cunning of the first named beast; the magnanimity and fortitude, with the honour, labor, industry, and diligence, in great manners, of the eagle; and the fierceness of ...
Meyer Schapiro theorizes a connection between the "Hell Mouth" that appears in medieval Christian iconography and Fenrir. According to Schapiro, "the Anglo-Saxon taste for the Hell Mouth was perhaps influenced by the northern pagan myth of the Crack of Doom and the battle with the wolf, who devoured Odin." [42]