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Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts originating in the Second French Empire. It was characterized by elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights.
In the 19th century, the standard way to refer to this style of architecture was simply "French" or "Modern French", but later architectural historians / authors came up with the more accurate and descriptive term "Second Empire" or more precisely "French Second Empire". Currently, the style is most widely known as Second Empire, [1] Second ...
The Palais Garnier, a Second Empire architectural mix of Neo-Renaissance and Neo-Baroque styles. Second Empire architecture is an architectural style rooted in the 16th-century Renaissance, which grew to its greatest popularity in Europe in the second half of the nineteenth century and early years of the twentieth century.
The Baroque Revival, also known as Neo-Baroque (or Second Empire architecture in France and Wilhelminism in Germany), was an architectural style of the late 19th and early 20th centuries. [1] The term is used to describe architecture and architectural sculptures which display important aspects of Baroque style, but are not of the original ...
The Empire style (French pronunciation: [ɑ̃.piːʁ], style Empire) is an early-nineteenth-century design movement in architecture, furniture, other decorative arts, and the visual arts, representing the second phase of Neoclassicism.
The Louvre's pavillon de l'Horloge, refaced in the 1850s at the eastern end of the Nouveau Louvre. The expansion of the Louvre under Napoleon III in the 1850s, known at the time and until the 1980s as the Nouveau Louvre [1] [2] [3] or Louvre de Napoléon III, [4] was an iconic project of the Second French Empire and a centerpiece of its ambitious transformation of Paris. [5]
John Augustus Reitz, who amassed a fortune in the lumber business, built the house in 1871 in the French Second Empire style.Built to express his success, the mansion was decorated with elegant furnishings and detailed architectural features.
The style had spread beyond architecture and furniture to painting and sculpture. The Rococo style spread with French artists and engraved publications. It was readily received in the Catholic parts of Germany, Bohemia, and Austria, where it was merged with the lively German Baroque traditions. Arc de Triomphe of Place de l'Étoile