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The Chesterfield coat, a long overcoat with very little waist suppression; being the equivalent of the "sack suit" for clothes, it came to be the most important overcoat of the next half-century. The Covert coat , a classically brown/fawn, straight cut, single breasted country coat that became accepted for wear in the city with a suit as well ...
Man wearing a coat, painting by Julian Fałat, 1900. A coat is typically an outer garment for the upper body, worn by any gender for warmth or fashion. [1] Coats typically have long sleeves and are open down the front, and closing by means of buttons, zippers, hook-and-loop fasteners (AKA velcro), toggles, a belt, or a combination of some of these.
The vest was knee-length, worn in conjunction with breeches and an overcoat of equal length. This outfit is considered to be the prototype of the modern-day men's three-piece suit. [3] The justacorps was a short-lived trend upon Charles' initial introduction of it, lasting only six years.
The Crombie style incorporated a heavy, dark, woollen, knee-length overcoat paired with a red, silk, handkerchief in the upper pocket. [9] In 1996 designer William Johnston Ewart, inspired by the deep tones of the iconic Crombie Overcoating Range, created tartan which was placed on the Scottish Register of Tartans for the Crombie House Check. [10]
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
The over-frock was the standard overcoat for much of the Victorian era and until after the First World War.Its popularity mirrored the frock coat, which replaced the tailcoat as day wear in the 1850s.
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