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Mixtape Pluto is the seventeenth mixtape [a] by American rapper Future.It was released through Freebandz and Epic Records on September 20, 2024. [4] Production on the mixtape was primarily handled by Southside and Wheezy, with help from ATL Jacob, FnZ, Honorable C.N.O.T.E., London on da Track, and Neenyo, among others. [5]
[3] Reviewing Mixtape Pluto for HotNewHipHop, Gabriel Bras Nevares stated "As cringe as many find Future's chorus on 'PLUTOSKI,' and as much as that instrumental deserved better, it's actually one of the most fun parts of the mixtape, thanks to ditching the self-serious attitude."
Future has also released the soundtrack album Superfly (2018) for the accompanying film, various solo mixtapes—most notably Mixtape Pluto (2024), various collaborative mixtapes—most notably What a Time to Be Alive (with Drake in 2015) which reached number one on the US Billboard 200 (as well as Mixtape Pluto), and the extended plays: Free ...
Tom Breihan of Stereogum stated, "If you want to hear Future really lock in and attack a beat, go directly to 'Ski.'" [1] Gabriel Bras Nevares of HotNewHipHop remarked, "Future's a bullet train on 'SKI'". [2]
"Ocean" is a song by American rapper Future from his seventeenth mixtape Mixtape Pluto (2024). It was produced by Wheezy , Honorable C.N.O.T.E. , Dez Wright, Jack Uriah and Mu Lean. Critical reception
Future then released Mixtape Pluto (2024), his seventeenth mixtape which caused him to become the first hip-hop artist to have three number one albums in the same year, and in less than six months. Future has released the mixtapes Beast Mode (with Zaytoven ), 56 Nights (with Southside ), and What a Time to Be Alive (with Drake) in 2015—the ...
Mixtape Pluto "We Still Don't Trust You" Future, Metro Boomin and The Weeknd We Still Don't Trust You: 22 "TGIF" GloRilla Glorious "Big Foot" Nicki Minaj — 23 "Fuk Sumn" Kanye West and Ty Dolla Sign as ¥$ featuring Playboi Carti and Travis Scott Vultures 1 "Big Dawgs" Hanumankind and Kalmi: TBA "Too Fast" Future Mixtape Pluto "Everybody"
[2] Reviewing the mixtape for Pitchfork, Paul A. Thompson wrote "When he slips into slow, languid flows, as he does on 'Lil Demon' and 'Plutoski,' the writing is laid bare—and is revealed, virtually without exception, as incisive and sometimes shockingly self-critical." [3] Aaron Williams of Uproxx commented, "The hypnotic, chant-like ...