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Music Inspired by The Story is a 2011 compilation album of songs by various contemporary Christian music artists. [5] The songs were inspired by scripture passages found in the Bible; it is included in a series with books by Max Lucado and Randy Frazee. [5] The album was named the Special Event Album of the Year at the 43rd GMA Dove Awards. [6]
The term "person of color" (pl.: people of color or persons of color; abbreviated POC) [1] is primarily used to describe any person who is not considered "white".In its current meaning, the term originated in, and is primarily associated with, the United States; however, since the 2010s, it has been adopted elsewhere in the Anglosphere (often as person of colour), including relatively limited ...
Eutychianism is a monophysite understanding of how the human and divine relate within the person of Jesus Christ, with Christ being in one nature and of two, with the humanity of Christ subsumed by the divinity. Eutychians were often labelled Phantasiasts by their adversaries, who accused their Christology of reducing Jesus' incarnation to a ...
In 2003, Christian band Jars of Clay covered it on their sixth full-length studio album Who We Are Instead on Essential Records. In 2006, Art of Time Ensemble released a 16-minute version on their debut album Live In Toronto. In 2011, The Music Tapes performed a cover of this song using Bryars' original tape sample for NPR's Tiny Desk Concert ...
Christ assumed a soul and by the grace of God brought it to immutability and to a full dominion over the sufferings of the body. [ 18 ] Nestorius furthered Theodore's views on the prosopic union, claiming that prosopon is the "appearance" of the ousia (essence), and stating: "the prosopon makes known the ousia". [ 19 ]
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The organization was founded by Tony Campolo and Shane Claiborne in 2007 with the aim of bringing together evangelicals who believe in the importance of insisting on issues of social justice mentioned by Jesus (in red in some translations of the Bible).
Christ – The Album is considered by former members of Crass to be among their best recordings. [2] In a retrospective article written for the album, Harry Sword of The Quietus refers to it as "the most caustic realization of their vision" and called it "a seething howl that remains most intensely relevant to politics and vibrantly forward thinking in terms of music."