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Tattoos of yantra designs were believed to hold magic power, and were used much like the kolam tattoos of India. For these people, religion is closely tied to the notion of magic, health, and good fortune. [3] The script used for yantra designs varies according to culture and geography. In Cambodia and central Thailand, the Khom script is used.
The tattoos could represent pride in being a woman, beauty, and protection. [4] They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island. Among some peoples it was believed that women who lacked hajichi would risk suffering in the afterlife. [5]
16. Lion and Lamb. Often, a lion and lamb tattoo may draw from religious connotations. It can symbolize the juxtaposition of strength and gentleness, unity, or peaceful coexistence.
Women continued receiving moko through the early 20th century, [12] and the historian Michael King in the early 1970s interviewed over 70 elderly women who would have been given the moko before the 1907 Tohunga Suppression Act. [13] [14] Women's tattoos on lips and chin are commonly called pūkauae or moko kauae. [15] [16]
Over time some of the symbols, for instance the Swastika has come to have wider association while others like Om are recognized as unique representations of Hinduism. Other aspects of Hindu iconography are covered by the terms murti , for icons and mudra for gestures and positions of the hands and body.
Rapa Nui tattoo tools, Manchester Museum. Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo ...
Both symbols date to the Christian crusades in Middle East, and are considered by some to be common images in Christian symbology. Pete Hegseth has has hit back against accusations his tattoos are ...
Bracelet-like designs were sometimes tattooed around the women's wrists, either with crosses or a fence-like motif. There were many non-Christian, or pagan symbols used, the most common consisting of circles believed to be connected to the traditional circle (" kolo ") dances of the villages. [ 20 ]
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