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Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. [1] Although the Solfeggietto title is widely used today, according to Powers 2002, p. 232, the work is correctly called Solfeggio, but the author provides no evidence for this.
Easily Bach's best-known piece is the Solfeggietto, Wq. 117/2, to the point that the introduction to The Essential C. P. E. Bach is subtitled "Beyond the Solfeggio in C Minor". [29] Several of Bach's other miscellaneous keyboard works have gained fame, including the character piece La Caroline and the Fantasia in F-sharp minor, Wq. 67.
Passions (C. P. E. Bach) S. Solfeggietto; Sonata in A minor for Solo Flute, Wq. 132 This page was last edited on 18 April 2020, at 02:37 (UTC). ...
Carl Philipp Emanuel Bach: The Complete Works is a critical edition of the music and keyboard treatise by C.P.E. Bach.The project was begun in 1998–99 in the wake of the aborted Carl Philipp Emanuel Bach Edition, and many of the same eminent music scholars associated with the earlier incomplete edition have become involved with the new one.
W A6 \ Keyboard Sonata Op. 5 No.6 in C minor W A7 \ Keyboard Sonata Op. 17 No.1 in G major W A8a \ Keyboard Sonata Op. 17 No.2 in C minor W A8b \ Keyboard Sonata in C minor W A9a \ Keyboard Sonata Op. 17 No.3 in E-flat major W A9b \ Keyboard Sonata in E-flat major W A10a \ Keyboard Sonata Op. 17 No.4 in G major
The middle section of "Dressed to Kill", after the guitar solo, cites Johann Sebastian Bach's "Prelude in C minor (BWV 847)" from The Well-Tempered Clavier (Book 1, 1722). The intro of "The Damnation Game" cites Carl Philipp Emanuel Bach 's Solfeggietto in C minor (H 220, Wq. 117: 2) (1766).
Bach's autograph of the 4th Fugue of Book 1 Bach's autograph of Fugue No. 17 in A ♭ major from the second part of Das Wohltemperirte Clavier. Each set contains 24 pairs of prelude and fugue. The first pair is in C major, the second in C minor, the third in C ♯ major, the fourth in C ♯ minor, and so on.
Mid-eighteenth century manuscript copy of Prelude, BWV 555 in the durezza style of Girolamo Frescobaldi. While originally attributed to Bach, scientific examination of the extant manuscripts by Alfred Dürr in 1987 and subsequent stylistic analysis of the score by Peter Williams have suggested that the eight preludes and fugues might have been composed by one of his pupils, Johann Ludwig Krebs.
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