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These sculptures in general represent a style, which is, in the development of the art in North India, recognised as related to the Kusanas. The centre of the art was Mathura , which evolved during the period the images of the deities worshipped by the followers of the three major religions of the time, namely, Brahmanism , Buddhism and Jainism .
The style is clearly influenced by the Greco-Buddhist art of Gandhara. [ 44 ] The Indo-Scythian Western Satraps (1st century AD-405 AD may have played a role in the transmission of the art of Gandhara to the western Deccan region, as may also have the southern expansion of the Alchon Huns in the 6th-7th century.
The pink sandstone Hindu, Jain and Buddhist sculptures of Mathura from the 1st to 3rd centuries CE reflected both native Indian traditions and the Western influences received through the Greco-Buddhist art of Gandhara, and effectively established the basis for subsequent Indian religious sculpture. [4]
The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
Bangladeshi art witnessed the influence of Islamic art though the arrival of Muslims in Bengal beginning from the 11th century. This influence started through the establishment of Sultanate of Bengal which covered most of the area of present-day Bangladesh. However, Islamic art in Bangladesh mostly flourished during the Mughal rule. The Muslim ...
The style of the statues of Bodhisattvas at Mathura is somewhat reminiscent of the earlier monumental Yaksha statues, usually dated one or two centuries earlier. The Greco-Buddhist art of Gandhara, although belonging to the same realm under the Kushans, seems to have had only limited influence on these creations. [27]
Sculpture of Bangladesh; T. Tagore sculpture controversy This page was last edited on 3 May 2020, at 15:34 (UTC). Text is available under the Creative Commons ...
The Buddhas of Bamiyan, an example of late Gandhāran Buddhist monumental sculpture. Topographic map of the region showing major Gandhāran and Bactrian sites The Dharmarajika Stupa and ruins of surrounding monasteries Kushan territories (full line) and maximum extent of Kushan dominions under Kanishka the Great (dotted line), which saw the height of Gandhāran Buddhist expansion.