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The log gamma profile began gaining industrial popularity since 2005, when Arri released Arriflex D-20 which provided original Log-C gamma through HD-SDI video output, and further in 2008, when Sony released CineAlta F35 camera (and its 2005 Panavision Genesis sibling) with S-Log video recording on HDCAM-SR tape. Those camera releases boosted ...
In filmmaking and video production, shot logging is the process by which shoot metadata is captured during a film or video shoot. During the shoot, the camera assistant typically logs the start and end timecodes of shots, and the data generated is sent on to the editorial department for use in referencing those shots.
An exposure sheet (also referred to as camera instruction sheet, dope sheet or X-sheet) is a traditional animation tool that allows an animator to organize their thinking and give instructions to the camera operator on how the animation is to be shot.
There is no standard template for a production report and each show usually has an original template, often created before production begins by one of the assistant directors. Besides superficial differences, most forms record the same information and are simply a series of blank tables created in Excel printed double-sided on a legal sized (8 ...
EMVA1288 compliant logo. EMVA1288 [1] is an electronic measurement standard developed by the European Machine Vision Association (EMVA). Its purpose is to define the methods to measure and characterize image sensors and cameras that are used in machine vision.
This camera has a fixed shutter speed, so the "EXP VALUE" ring simply sets the aperture. On most cameras, there is no direct way to transfer an EV to camera settings; however, a few cameras, such as some Voigtländer and Braun models or the Kodak Pony II shown in the photo, allowed direct setting of exposure value.
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Director and actor reviewing footage from Agha Yousef.. In filmmaking, dailies or rushes are the raw, unedited footage shot during the making of a motion picture.The term "dailies" comes from when movies were all shot on film because usually at the end of each day, the footage was developed, synced to sound, and printed on film in a batch (and later telecined onto videotape or disk) for ...
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