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It followed Future and Metro Boomin's first collaboration, We Don't Trust You, which was released three weeks before We Still Don't Trust You. A double album , with the first disc being R&B -focused and the second disc being hip-hop - and trap -focused, it was supported by one single, its title track , with the Weeknd.
The album debuted and peaked atop the Billboard 200, giving Metro his third chart-topping project, that too in a row. It produced two top-10 singles, " Creepin' ", a collaboration with the Weeknd and 21 Savage, and " Superhero (Heroes & Villains) ", a collaboration with Future and Chris Brown ; the songs debuted and peaked at numbers three and ...
Not All Heroes Wear Capes debuted at number one on the US Billboard 200 with 99,000 album-equivalent units, making it Metro Boomin's first US number-one album. [12] The album dropped to the number eight in its second week, earning an additional 52,000 album-equivalent units. [13] The album debuted at 16 on the UK Album Charts. [14]
After teasing a full-length collaboration late last year, Metro Boomin and Future have announced not one, but two new albums releasing in the coming weeks. The pair have announced “We Don’t ...
Nearly a month ago, Future and Metro Boomin’s collaborative “We Don’t Trust You” album debuted at No. 1 on the Billboard 200 and spurred a ravenous back and forth between hip-hop giants ...
We Don't Trust You (stylized in all caps) is the first collaborative studio album by American rapper Future and American record producer Metro Boomin, released on March 22, 2024, by Freebandz (under the business name Wilburn Holding Co.), Epic Records, Boominati Worldwide, and Republic.
"Young Metro" is a song by American rapper Future, American record producer Metro Boomin, and Canadian singer the Weeknd. It was released through Freebandz (under the business name Wilburn Holding Co.), Boominati Worldwide, Epic Records, and Republic as the second single from Future and Metro's collaborative studio album, We Don't Trust You, on March 25, 2024.
Metro Boomin’s un-steadying orchestral see-sawing does finally find an aptly theatrical flow when Kendrick Lamar jumps on the verses of “Like That” with his yelping rap, dip-diving breaths ...