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Flemish still life painters (146 P) French still life painters (40 P) G. German still life painters (22 P) Greek still life painters (1 P) I. Iranian still life ...
Pages in category "American still life painters" The following 64 pages are in this category, out of 64 total. This list may not reflect recent changes. A.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Still Life Paintings from the Netherlands 1550–1720, (Dutch:Het Nederlandse Stilleven 1550–1720) is a 1999 art exhibition catalog published for a jointly held exhibition by the Rijksmuseum Amsterdam (19 June – 9 September 1999) and Cleveland Museum of Art (31 October 1999 – 9 January 2000).
Brígida del Río, the Bearded Lady of Peñaranda; 1590, 102 × 61 cm, Prado Museum.. Sánchez Cotán was born in the town of Orgaz, near Toledo, Spain.He was a friend and perhaps pupil of Blas de Prado, an artist famous for his still lifes whose mannerist style with touches of realism the disciple developed further.
Still Life (Braque, 1911) Still Life of a Lamb's Head and Flanks; Still Life of Fruit and Dead Fowl; Still Life of Fruit, Dead Birds, and a Monkey; Still Life with a Chinese Porcelain Jar; Still Life with a Guitar; Still Life with a Parrot; Still Life with a Peacock; Still Life with a Poem; Still Life with a Silver Jug; Still Life with a Sketch ...
Rachel Ruysch (3 June 1664 – 12 October 1750) [1] was a Dutch still-life painter from the Northern Netherlands. She specialized in flowers, inventing her own style and achieving international fame in her lifetime. Due to a long and successful career that spanned over six decades, she became the best documented female painter of the Dutch ...
Still Life with Apples, Pears, Lemons and Grapes (F382) was Van Gogh's opportunity to explore Blanc's recommendation about combining colors: "If one brings together sulfur (yellow) and garnet (dark red), which is its exact opposite, being equidistant from nasturtium (orange) and campanula (blue-mauve), the garnet and sulfur will excite one ...
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