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African textiles can be used as historical documents. [31] cloth can be used to commemorate a certain person, event, and even a political cause. Much of the history conveyed had more to do with how others impacted the African people, rather than about the African people themselves.
Bògòlanfini fabric. Bògòlanfini or bogolan (Bambara: bɔgɔlanfini; "mud cloth"; sometimes called mud-dyed cloth [1] [2] or mud-painted cloth [3] in English) is a handmade Malian cotton fabric traditionally dyed with fermented mud.
Akwete fabric is used by both people in Nigeria and exported to other countries. [6] The Akwamiri style of Akwete cloth was used by other people groups as waist ties for men, but also as towels, coverings for chairs, and as material for bags.
Bazin (or basin) is a West African fabric with its origin in Europe imported in Mali, made from hand-dyed cotton, resulting in a damask textile known for its stiffness and vibrant sheen. It is primarily recognized as the most commonly used fabric for crafting a Boubou , a long, loose traditional outerwear worn by both men and women ...
Eleko: Resist dyeing with cassava paste painted onto the fabric. Traditionally done with different size chicken feathers, calabash carved into different designs are also used, in a manner similar to block printing. Since the early twentieth century, metal stencils cut from the sheets of tin that lined tea chests have also been used. [9] [13]
Ankara is also known as Dutch wax, African wax, or African print. There are Yoruba made Ankara cloth. Ankara can have various themes and symbols printed on it, such as flowers, animals, stars, or abstract shapes. Eya / Lace: a delicate fabric made from yarn or thread that is looped, twisted, or knotted to create intricate patterns. Lace can be ...
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
In Kuba culture, men are responsible for raffia palm cultivation and the weaving of raffia cloth. [1] Several types of raffia cloth are produced for different purposes, the most common form of which is a plain woven cloth that is used as the foundation for decorated textile production.
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