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Magick is a lengthy treatise on ceremonial magic (which he anachronistically refers to as 'magick', to distinguish it from stage magic), synthesised from many sources including yoga, Hermeticism, medieval grimoires, contemporary magical theories from writers like Eliphas Levi and Helena Blavatsky, and his own original contributions. It consists ...
A table of magical correspondences is a list of magical correspondences between items belonging to different categories, such as correspondences between certain deities, heavenly bodies, plants, perfumes, precious stones, etc. [1] Such lists were compiled by 19th-century occultists like Samuel Liddell Mathers and William Wynn Westcott (both members of the Hermetic Order of the Golden Dawn ...
Crowley first described the rite in a tract titled Eroto-Comatose Lucidity. [7] The ritual as described by Crowley involves one "ritualist-seer" and several aides. [1] [8] Donald Michael Kraig advises that the more sexually experienced the aides are, the better the ritual works, [1] and that the aides be members of the opposite sex. [1]
777 and Other Qabalistic Writings of Aleister Crowley is a collection of papers written by Aleister Crowley. It is a table of magical correspondences. It was edited and introduced by Dr. Israel Regardie, and is a reference book based on the Hermetic Qabalah.
The terms obeah and wanga are African diasporic words that occur in The Book of the Law (the sacred text of Thelema, written by English author and occultist Aleister Crowley in 1904): Also the mantras and spells; the obeah and the wanga; the work of the wand and the work of the sword; these he shall learn and teach. (AL I:37).
Magick Without Tears, a series of letters, was the last book written by English occultist Aleister Crowley (1875–1947), although it was not published until after his death. It was written in 1943 and published in 1954 with a foreword by its editor, Karl Germer .
The Rites of Eleusis were a series of seven public invocations or rites written by British occultist Aleister Crowley, each centered on one of the seven classical planets of antiquity. They were dramatically performed by Aleister Crowley, Leila Waddell (Laylah), and Victor Benjamin Neuburg in October and November 1910, at Caxton Hall, London.
Most of these early works show little in the way of magic but are an introduction to Crowley's knowledge of religion and mythology. It's interesting to see how, after Crowley's first book White Stains was banned and pulped, his consequent works of 1898 were quite mellow, almost gothic and Christian, with the first two hiding behind the pseudonym "A Gentlemen of the University of Cambridge" (no ...