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The width is more consistently around 0.6 cm. The writing proceeds vertically, from right to left. Strips were bound together with hemp, silk, or leather and used to make a kind of folding book, called jiǎncè or jiǎndú. [2] [3] The binding process usually takes place after the writing, with a few exceptions.
Chinese paper cutting, in a style that is practically identical to the original 6th-century form. Jianzhi (Chinese: 剪紙, pinyin: jiǎnzhǐ) is a traditional style of papercutting in China, and it originated from cutting patterns for rich Chinese embroideries and later developed into a folk art in itself.
Xuan paper, Shuen paper, or rice paper, is a kind of paper originating in ancient China used for writing and painting. Xuan paper is renowned for being soft and fine-textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting .
Paper craft is a collection of crafts using paper or card as the primary artistic medium for the creation of two or three-dimensional objects. Paper and card stock lend themselves to a wide range of techniques and can be folded, curved, bent, cut, glued, molded, stitched, or layered. [1] Papermaking by hand is also a paper craft.
Wang Yirong, Chinese politician and scholar, was the first to recognize the oracle bone inscriptions as ancient writing. Among the major scholars making significant contributions to the study of the oracle bone writings, especially early on, were: [26] Wang Yirong recognized the characters as being ancient Chinese writing in 1899.
Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
The paper used as the leaves is usually xuan paper (宣紙). This is an absorbent paper used in traditional Chinese calligraphy and painting. Stronger and better quality papers may be used for more detailed works that involve multicoloured woodblock printing. The covers tend to be a stronger type of paper which is dyed dark blue.
Part 1: Paper and Printing, Cambridge University Press, ISBN 0-521-08690-6; Twitchett, Denis (1998b), The Cambridge History of China Volume 8 The Ming Dynasty, 1368—1644, Part 2, Cambridge University Press; Wilkinson, Endymion (2012), Chinese History: A New Manual, Harvard University Asia Center for the Harvard-Yenching Institute