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Silent comics (or pantomime comics) are comics which are delivered in mime. They make use of little or no dialogue , speech balloons or captions written underneath the images. Instead, the stories or gags are told entirely through pictures.
Pantomime (/ ˈ p æ n t ə ˌ m aɪ m /; [1] informally panto) [2] is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season.
He notes that "the essay is a literary device for saying almost everything about almost anything", and adds that "by tradition, almost by definition, the essay is a short piece". Furthermore, Huxley argues that "essays belong to a literary species whose extreme variability can be studied most effectively within a three-poled frame of reference".
The 19th century was a period of growth for the performing arts for all social classes, technical advances such as the introduction of gaslight to theatres, burlesque, minstrel dancing, and variety theatre. In ballet, women make great progress in the previously male-dominated art.
American pantomime, panto for short, refers to works of theatrical entertainment that have been presented in the United States of America since 1876. The works are derived from the entertainment genre of pantomime that developed in England, presented either as they are in Britain or adapted for the American stage and tailored to American audiences.
A Collection of Ball-dances Perform'd at Court; all compos'd by Mr. Isaac, and writ down in characters, by John Weaver, dancing-master (1706). John Weaver (baptised 21 July 1673 – 24 September 1760) is widely regarded as the father of English ballet and of English pantomime.
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
Ideally, the meaning of lines shifts when they are repeated although the words remain exactly the same: this can be done by shifting punctuation, punning, or simply recontextualizing. A four-stanza pantoum is common (although more may be used), and in the final stanza, lines one and three from the first stanza can be repeated, or new lines can ...