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Get In (French: Furie) is a 2019 French horror thriller film written and directed by Olivier Abbou. The film stars Adama Niane, Stéphane Caillard and Paul Hamy in the lead roles. [1] It was released in France on 6 November 2019 and received positive reviews from critics. [2] It was later released on Netflix on 1 May 2020. [3] [4]
Also one-shot cinema, one-take film, single-take film, continuous-shot film, or oner. A feature-length motion picture filmed in one long, uninterrupted take by a single camera, or edited in such a way as to give the impression that it was. opening credits (for a film) opening shot (for a scene) over cranking over the shoulder shot (OTS)
Digital streaming acts in a similar way to on-demand television in that the program to watch is selected. But the program is not recorded or stored like it might be on TiVo , etc. Digital video purchases grant a user indefinite access to a show or film, but the terms and conditions vary as to whether the file can be downloaded or must be streamed.
To Be and To Have (French: Être et avoir; also the UK title) is a 2002 French documentary film directed by Nicolas Philibert about a small rural school. It was screened as an "Out of Competition" film at the 2002 Cannes Film Festival [2] and achieved commercial success. [3]
Some films released direct-to-video are films which have been completed but were never released in movie theaters. This delay often occurs when a studio doubts a film's commercial prospects to justify a full cinema release or because its release window has closed. In film industry slang, such films are referred to as having been "vaulted". [10]
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Keep Up may refer to: Keep Up, a 2016 EP by KSI "Keep Up" (KSI song), a 2015 song by KSI "Keep Up" (Heavy Stereo song), a 1996 song by Heavy Stereo "Keep Up" (Hyper Crush song), a 2009 song by Hyper Crush "Keep Up" (Odetari song), a 2024 song by Odetari
Cinéma du look (French: [sinema dy luk]) was a French film movement of the 1980s and 1990s, analysed, for the first time, by French critic Raphaël Bassan in La Revue du Cinéma issue no. 449, May 1989, [1] in which he classified Luc Besson, Jean-Jacques Beineix and Leos Carax as directors of the "look".