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Music licensing is the licensed use of copyrighted music. [1] ... [40] ASCAP expected to be paid license fees for any of the 4 million songs included list sung publicly.
Negotiations for the licensing fee typically address how the work is being used, the length of the segment, the prominence of the cue (whether used as background music, the title track during the credits, or other uses), and the overall popularity and importance of the song or recording.
A recorded song would typically have 3 copyrights. The ‘musical work’ is the musical melody, harmony and rhythm, and the ‘literary work’ is the accompanying lyrics. The composer of the musical work is deemed to be the ‘author’ of the musical work and the person penning the lyrics in deemed to be the ‘author’ of the literary work.
Some of these companies do not license dramatic performances of works, and some do. A dramatic performance of a work can be anywhere from a performance of an entire dramatic work, such as a musical, or a concert of a few of an artist's songs. ASCAP does not license dramatic performances, but The Rodgers and Hammerstein Organization does.
The organization requested that some websites pay licensing fees on embedded YouTube videos, even though YouTube already pays licensing fees, [34] and demanded payment from Amazon.com and iTunes for 30-second streaming previews of music tracks, [35] which traditionally does not require a license, being considered a promotional vehicle for song ...
Musicians often use this license for self-promotion. For instance, a cellist who performed a musical work on a recording may obtain a mechanical license so he can distribute copies of the recording to others as an example of his cello playing. Recording artists also use this when they record cover versions of songs. This is common among artists ...
Mechanical rights societies exist in most countries. They license the reproduction of songs (including musical, literary and dramatic works). Their members are composers, authors and publishers and their clients are record companies and other users of recorded music. They also license mechanical aspects of the downloading of music via the Internet.
These generally force Performing Rights Societies to discloses the musical works they license. Because many establishments pay blanket license fees to Performing Rights Societies but have little or no idea if the fees they pay actually secure the rights to perform musical works. This can result in unfair business practices called tolling. Many ...
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