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Resurrection of Christ is a painting by the Italian Renaissance artist Giovanni Bellini. The painting is estimated to be created sometime between 1475 and 1479. The painting was created on poplar wood, then transferred to canvas. [1] The Resurrection of Christ's dimensions are in total 148 x 128 cm (which is 58 in x 50 in). [1]
The portrait depicts Jesus Christ, raising his right hand while gripping a red staff with the other. Christ's wounds are slightly visible on his hand as well as his chest. The shadows indicate the reality of his Resurrection. Meanwhile, the landscape in the background contains many motifs signifying the Resurrection.
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre, a New Testament scholar and professor at Duke University. [82]
The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely ...
Transfiguration of Christ is a c.1480 oil-on-panel painting of the Gospel episode the Transfiguration of Jesus by the Italian Renaissance master Giovanni Bellini, now in the Capodimonte Museum in Naples, Italy. [1] By this time Bellini had abandoned Gothic art and outgrown the influence of Mantegna.
The Madonna della Loggia is a painting attributed to the Italian Renaissance artist Sandro Botticelli, dating to c. 1467. A tempera on panel work, it is located in the loggia of the Uffizi, Florence, Italy. This is one of the earliest works of Botticelli where he painted a portrait of the Virgin Mary with Jesus Christ as a child, sitting in a ...
The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.
The highlights impastoed into the colors sweeten the representation, thanks in particular to the close, fine brush strokes of tempera painting. Detail of the faces of Christ and the Virgin More than focusing on space in perspective , Bellini seems more interested in representing the sorrowful humanity of his figures, taking from the artistic ...