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For example, the X-factor between Juliet and the sun would be radiance; the X-factor in musical metaphors would be a similarity like rhythm or contour (p. 127). In lecture 6, Bernstein reuses this term, but this time to refer to the junction of poetry and music. Bernstein's definition of syntax has also morphed through the lecture series.
The title of the essay comes from Woolf's conception that "a woman must have money and a room of her own if she is to write fiction". [2] The narrator of the work is referred to early on: "Here then was I (call me Mary Beton, Mary Seton, Mary Carmichael or by any name you please—it is not a matter of any importance)". [9]
J. R. R. Tolkien's essay "Beowulf: The Monsters and the Critics", initially delivered as the Sir Israel Gollancz Memorial Lecture at the British Academy in 1936, and first published as a paper in the Proceedings of the British Academy that same year, is regarded as a formative work in modern Beowulf studies.
A summary is not meant to reproduce the experience of reading or watching the work. In fact, readers might be here because they didn't understand the original. Just repeating what they have already seen or read is unlikely to help them. Do not attempt to re-create the emotional impact of the work through the plot summary.
A plot summary is a brief description of a piece of literature that explains what happens. In a plot summary, the author and title of the book should be referred to and it is usually no more than a paragraph long while summarizing the main points of the story. [40] [41]
The plot is about 240 words. In a 300-page novel (not really long), a proportion plot summary would be 7,200 words - about as long as "Little Red Riding Hood". So "Little Red Riding Hood" is not a realistic example, it's far too easy. The essay does not analyse the requirements of different genres.
A plot summary is a retelling, a summary, or an abridged or shortened précis of the events that occur within a work of fiction. The purpose of a plot summary is to help the reader understand the important events within a work of fiction, be they of the work as a whole or of an individual character.
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