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Androcentrism (Ancient Greek, ἀνήρ, "man, male" [1]) is the practice, conscious or otherwise, of placing a masculine point of view at the center of one's world view, culture, and history, thereby culturally marginalizing femininity.
Masculine of center (abbreviated as MoC) is a broad gender expression term used to describe a person who identifies or presents as being more masculine than feminine. It is most frequently used by lesbian , queer or non-binary individuals – generally (but not exclusively) those assigned female at birth .
The male gender role is not biologically fixed, yet it is a result of the internalization of culturally defined gender norms and ideologies. [39] In this stage this is an important point as developmental psychologists recognize change in relations with parents, peers, and even their own self-identity.
This has influenced the field of masculinity, as seen in Pierre Bourdieu's definition of masculinity: produced by society and culture, and reproduced in daily life. [117] A flurry of work in women's history led to a call for study of the male role (initially influenced by psychoanalysis) in society and emotional and interpersonal life.
Sociologists Arthur Brittan and Satoshi Ikeda describe masculinism as an ideology justifying male domination in society. [ c ] [ 20 ] Masculinism, according to Brittan, maintains that there is "a fundamental difference" between men and women and rejects feminist arguments that male–female relationships are political constructs.
The principle of male as norm holds that grammatical and lexical devices such as the use of the suffix-ess (as in actress) specifically indicating the female form, the use of man to mean "human", and similar means strengthen the perceptions that the male category is the norm, and that corresponding female categories are derivations and thus less important.
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Male-gaze theory also proposes that the male gaze is a psychological "safety valve for homoerotic tensions" among heterosexual men; in genre cinema, the psychological projection of homosexual attraction is sublimated onto the women characters of the story, to distract the spectator of the film story from noticing that homoeroticism is innate to ...