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It is known as a "fist-phallus", and can be accompanied by extending the right hand while clasping the left hand under one's armpit in a derogatory manner. [1] In Carinthia, it is used to derisively dismiss the size of a man's genitalia. In South Africa, it was once known as "the zap sign" and was the equivalent of giving the finger. The sign ...
Hand rubbing. Hand rubbing is a gesture that conveys in many cultures either that one has a feeling of excited expectation, or that one is simply cold. [1] In Ekman and Friesen's 1969 classification system for gestures, hand-rubbing as an indication of coldness is an emblem intentional gesture that could equally well be verbalized.
It is especially common in Italy and the Mediterranean region, where it generally takes on two different meanings depending on context and positioning of the hand. The first, more innocuous usage of the gesture in Italy and the Mediterranean is deployed for apotropaic or superstitious purposes, as a way to ward off bad luck or the "evil eye ...
Hand-rubbing, rubbing both hands palms together along the fingers' direction may mean that one is expecting or anticipating something or that one feels cold. U.S. servicemen surrendering with raised hands during the Battle of Corregidor. Hands up is a gesture expressing military surrender by lifting both hands. This may have originated with the ...
Mary I of England touching for scrofula, 16th-century illustration by Levina Teerlinc. The royal touch (also known as the king's touch) was a form of laying on of hands, whereby French and English monarchs touched their subjects, regardless of social classes, with the intent to cure them of various diseases and conditions.
Count Dracula is an example of a villain in classic literature and film. Theme from Mysterioso Pizzicato, a cliché silent movie cue for villainy Play ⓘ. A villain (also known as a "black hat" or "bad guy"; the feminine form is villainess) is a stock character, whether based on a historical narrative or one of literary fiction.
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Ikumi Nakamura (Japanese: 中村 育美, Hepburn: Nakamura Ikumi) is a Japanese video game artist and director. She is best known for her work at Tango Gameworks as an artist on The Evil Within (2014) and The Evil Within 2 (2017), and as creative director for Ghostwire: Tokyo, before leaving the company mid-development.