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Download as PDF; Printable version; In other projects ... Pages in category "Concertos by Philip Glass" ... Piano Concerto No. 2 (Glass) T.
Glass then inserts a characteristic series of chord progressions often present in his mature style. These rise in intensity, flying into a complex, ecstatic tutti . Playing throughout the majority of the movement, the timpani guide the orchestra into a quick descent, and, having quieted the ensemble, provide gentle pulse .
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
The opening movement begins with a broad statement by the piano and orchestra, working in unison to form a collaboration of orchestral minor chords and a whirling series of piano triplets shifting between minor and major modes. The agitated introduction settles onto a simple but expressive main theme punctuated by the tambourine.
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Philip Glass wrote all of the concerti on commission from various ensembles or people; the Concerto Fantasy, for example, was requested by Jonathan Haas, a respected timpanist. Glass stated in 2000: "Jonathan Haas approached me almost ten years ago with an invitation to write a Timpani Concerto for him.
Knee Play 4 for piano (1975, from Einstein on the Beach) Modern Love Waltz for piano (piano version of Fourth Series, Part Three, 1978) Mad Rush for piano or electric organ (originally Fourth Series, Part Four, 1979) Opening for piano (1981, from Glassworks) The Olympian for piano (1984) Cadenza for Mozart's Piano Concerto No. 21 (K. 467, 1786 ...
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