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Nautilus is a black-and-white photograph taken by Edward Weston in 1927 of a single nautilus shell standing on its end against a dark background. It has been called "one of the most famous photographs ever made" and "a benchmark of modernism in the history of photography."
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Their coloration is typically white, though through consumption of red tide algae some may develop a pink coloration. The Atlantic mud-piddock, Barnea truncata , often referred to as the fallen angelwing , is classed among the angelwing varieties, growing up to 5.7 cm (2¼″) and is similar to other angelwings but with weaker sculpture.
[115] The 13th century book Ajā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt (The Wonders of Creation) by Zakariya al-Qazwini describes Islamic angelology, and is often illustrated with many images of angels. The angels are typically depicted with bright, vivid colors, giving them unusual liveliness and other-worldly translucence. [116]
The shells used include pearly green and blue-green maireener (rainbow kelp) shells, brown and white rice shells, black cats' teeth shells and pink button shells. [11] Naturally-occurring, beachworn, cone shell "tops" (the broken-off spire of the shell, which often has a hole worn at the tip) can function as beads without any further modification.
A live textile cone snail from Australia. The terminal helix of the shell of a cone snail is cone-shaped, and closed at the apex. When the empty shell is rolled over a long time by the waves in the breaking surf and coral rubble, the terminal helix of the shell breaks off or is gradually ground off, leaving the solid top of the shell intact.
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Angels in Islamic art often appear in illustrated manuscripts of Muhammad's life. Other common depictions of angels in Islamic art include angels with Adam and Eve in the Garden of Eden, angels discerning the saved from the damned on the Day of Judgement, and angels as a repeating motif in borders or textiles. [21]