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The larger the tool the softer the embossing and the "greyer" the color of the embossed shape; the smaller the tool the "whiter" and more "satiny" the color of the embossed shape. The tips of these tools also are made with different materials, some plastic – for lighter embossing – and some steel – for the brighter whites.
Most types of paper can be embossed, and size is not normally a consideration. Embossing without ink, so that the image is raised but not colored, is called "blind embossing". Embossing used in conjunction with ink, so that the raised area is coloured, is called "colour register embossing".
Embossing (manufacturing), commercial scale embossing of sheet metal; Image embossing, the process to create highlights or shadows that will replace light/dark boundaries of an image; Leather embossing; Paper embossing, the raising of paper and other non-metal products using specific tools to accomplish the task
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Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction. Many metals can be used for chasing and repoussé work, including gold, silver, copper, and alloys such as steel, bronze, and pewter.
Sheet metal embossing is a metalworking process for producing raised or sunken designs or relief in sheet metal. In contrast to coining (which uses unmatched dies), embossing uses matched male and female dies [ 1 ] to achieve the pattern, either by stamping , or by passing a sheet or strip of metal between patterned rollers . [ 2 ]
Printmaking techniques are generally divided into the following basic categories: Relief, where ink is applied to the original surface of the matrix, while carved or displaced grooves are absent of ink. Relief techniques include woodcut or woodblock, wood engraving, linocut and metalcut.
Intaglio (/ ɪ n ˈ t æ l i. oʊ,-ˈ t ɑː l i-/ in-TAL-ee-oh, - TAH-lee-; [1] Italian: [inˈtaʎʎo]) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. [2]