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The song was recorded in Los Angeles on June 12, 1942 by Paul Whiteman and His Orchestra. The personnel on the recording were: Monty Kelly, Larry Neill, Don Waddilove (tp), Skip Layton, Murray McEachern, Trummy Young (tb), Alvy West, Dan D’Andrea, Lennie Hartman, Lester Young (Reeds) Buddy Weed (p), Mike Pingitore (g), Artie Shapiro (b), Willie Rodriguez (d), Unknown string section, Billie ...
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
"Freeborn Man of the Travelling People," also called "Travelling People" or "The Travelling People," is a folk ballad, written by Ewan MacColl for The Travelling People, which was first broadcast in 1964, one of eight BBC "Radio Ballads." [1]
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[3] [4] [5] It was Richard's last single of the 1950s and his first release after the Shadows had changed their name from the Drifters (so as to not conflict with the American band of the same name). The B-side, "Dynamite" also made the UK Singles Chart, peaking at No. 16. [2] It was re-recorded in 1980 as the B-side to "Dreamin' ". [6]
The main riff and verses feature a four-bar chord sequence with a descending bass line. The first bridge includes a G augmented chord. The time signature throughout is 4/4, played to a moderate rock beat. [21] In music journalist Matthew Greenwald's description, the composition is "built around a descending, folk-rock chord pattern and some ...
The Bootleg Series Vol. 15: Travelin' Thru, 1967–1969 is a compilation album by American singer-songwriter Bob Dylan.The 13th installment in the ongoing Bob Dylan Bootleg Series, it was released by Legacy Records on November 1, 2019.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.