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The Gandangara people, also spelt Gundungara, Gandangarra, Gundungurra and other variations, are an Aboriginal Australian people in south-eastern New South Wales, Australia. Their traditional lands include present day Goulburn, Wollondilly Shire, The Blue Mountains and the Southern Highlands.
Petroglyph of male and female dancers, in Ku-ring-gai Chase National Park.. Sydney rock engravings, or Sydney rock art, are a form of Australian Aboriginal rock art in the sandstone around Sydney, New South Wales, Australia, that consist of carefully drawn images of people, animals, or symbols. [1]
^ This name is the main name used in Norman Tindale's Catalogue of Australian Aboriginal Tribes. [7] Each has a separate article under the name listed there, and alternative names are also listed. In most cases (but not all) the name in the left column "Group name" is also the main name used by Tindale.
Red Hands Cave, Blue Mountains National Park, outside Glenbrook, contains large collection of hand stencils. Stonewoman Aboriginal Area, Inverell area, features Tingha Stonewoman rock formation, a teaching and ceremonial site. [21] Tamarama, Sydney. A large carving of a whale and fish is located beside the path from Bondi Beach to Tamarama.
As part of these beliefs, during ancient times mythic Aboriginal ancestor spirits were the creators of the land and sky, and eventually became a part of it. The Aboriginal peoples' spiritual beliefs underpin their laws, art forms, and ceremonies. Traditional Aboriginal art almost always has a mythological undertone relating to the Dreaming. [43]
Howling Wolf, Southern Cheyenne (1849–1927) Sharon Irla, Cherokee Nation (born 1957) David Johns (Navajo Nation) (born 1948) Ruthe Blalock Jones (Shawnee/Peoria) (born 1939) Fred Kabotie , Hopi (1900–1986) Michael Kabotie, Hopi; Lois Smoky Kaulaity, Bougetah, Kiowa, one of the Kiowa Six (1907–1981) Albert Looking Elk, Taos Pueblo (c. 1888 ...
The ochre handprints and stencils at Red Hands Cave were painted around 500–1,600 years B.P. [3] [4]. The cave was first discovered by white Australians on 10 August 1913, when James (Jim) Colquhoun Dunn (1892-1978) went searching for Ruby Gladys Hunter (1892–1973), who became lost in the bush near Glenbrook while collecting wild flowers with her two dogs.
This has primarily been seen in Aboriginal names being applied to the paintings, reflecting the specific Aboriginal languages used in the areas where they are found. For example, the Ngarinyin name for the art is Gwion Gwion. [8] Other terms include giro giro used by Aboriginal people in the Napier, Broome Bay and Prince Regent River. [32]