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The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
"Message of Love" "Message of love" [51] The song title is backmasked in the opening 30 seconds of the song. Judas Priest "Love Bites" "In the dead of the night, love bites" Admitted to by Rob Halford during the subliminal message trial. Halford said that "When you're composing songs, you're always looking for new ideas, new sounds." [52]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
eager or intent on, example: he is keen to get to work on time. desirable or just right, example: "peachy keen" – "That's a pretty keen outfit you're wearing." (slang going out of common usage) keeper a curator or a goalkeeper: one that keeps (as a gamekeeper or a warden) a type of play in American football ("Quarterback keeper")
A work containing the words to an opera, musical, or ballet Melodramma: melodrama: A style of opera Opera: work: A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A comic opera Opera semiseria: semi-serious opera: A variety of opera Opera seria: serious opera: An opera with a serious, esp. classical theme ...
Examples of rhythmic retrogrades occur in the music of Alban Berg, for example in the operas Wozzeck and Lulu, and in the Chamber Concerto. [29] In discussing Berg's extensive use of retrograde and palindrome, Robert Morgan coins the word "circular" to describe musical situations "in which an opening gesture returns at a composition's close ...
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
For example, accelerating the tempo or prolonging a note may add tension. A phrase is a substantial musical thought, which ends with a musical punctuation called a cadence . Phrases are created in music through an interaction of melody , harmony , and rhythm .