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Haydn and Mozart probably had become acquainted by 1784, when this concerto was published. Although Mozart returned from Italy in March 1773 at the age of seventeen, he did not turn to piano concertos until 1776; [ 2 ] nonetheless, some biographers and music historians suggest that distinct similarities in this work by Haydn might indicate ...
The catalogue is a massive work; a currently available version runs to 1936 pages. [1] Each work is given with an identifying incipit , printed on a single musical line. There is discussion of manuscript sources, early editions, listing in previous catalogues (including the two Haydn prepared), and critical commentary.
Sheet music for the piano sonatas: Scores at the International Music Score Library Project "Music for piano, keyboard and organ". Archived from the original on December 31, 2009. Complete recording of Joseph Haydn's Piano Sonatas on a sampled Walter fortepiano and on a sampled Steinway D
The Seven Last Words of Christ orchestral version 1786 orchestra 7 sonatas with sinfonia and an earthquake XX:2 The Seven Last Words of Christ string quartet version 1787 string quartet revised version of H. XX:1 XX:3 The Seven Last Words of Christ piano version 1787 piano revised version of H. XX:1 XX:4 The Seven Last Words of Christ choral ...
The Andante with variations in F minor (Hoboken XVII:6), also known as Un piccolo divertimento, is a work for piano composed by Joseph Haydn in 1793. First page of Haydn's Variations in F minor, Hob. VII:6 (manuscript located in the New York Public Library for the Performing Arts )
The first thirty of Haydn's keyboard sonatas are scored for harpsichord, while the next nine are scored for either harpsichord or fortepiano. [3] This keyboard sonata, being the 34th according to the Hoboken-Verzeichnis classification, is scored for harpsichord or fortepiano, leaving the choice to the performer.
The Piano Sonata No. 15 in C major, Hob. XVI/15, is an arrangement for solo keyboard of the 1st, 3rd and 4th movements of the Divertimento in C ( Hob. II/11) [ 1 ] [ 2 ] by Joseph Haydn .
The rhythm in this movement is constantly shifting between thirty-second and sixteenth notes, making the performance aspect challenging. [4] The second movement is in 3/4 time and is 110 measures long. [1] It has a minuet-like character and features double thirds, broken thirds, scales, ornaments, contrapuntal textures, and voicing. [4]
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