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Metrical rhythm, measured rhythm, and free rhythm are general classes of rhythm and may be distinguished in all aspects of temporality: [14] Metrical rhythm , by far the most common class in Western music, is where each time value is a multiple or fraction of a fixed unit (beat, see paragraph below), and normal accents reoccur regularly ...
Subdivision used on neither side of the barline but used to establish the modulation, ex: (quintuplet =) with quarter notes before and after the barline Examples of the use of metric modulation include Carter's Cello Sonata (1948), [ 10 ] A Symphony of Three Orchestras (1976), [ 11 ] and Björk 's " Desired Constellation " ( . = ). [ 12 ]
As an alternative to counting, a metronome can be used to accomplish the same function. Triple meter, such as 3 4, is often counted 1 2 3, while compound meter, such as 6 8, is often counted in two and subdivided "One-and-ah-Two-and-ah" [2] but may be articulated as "One-la-lee-Two-la-lee". [2] For each subdivision employed a new syllable is used.
A mechanical metronome does not need an electric battery, but runs from a spring-wound clockwork escapement. [1] For uniform beats, the metronome should be placed on a hard, level, unmoving surface, and away from any strong magnets. Small variations in pendulum speed can also result from differences in temperature, air pressure, or gravity. [9]
The second and fourth are weaker—the "off-beats". Subdivisions (like eighth notes) that fall between the pulse beats are even weaker and these, if used frequently in a rhythm, can also make it "off-beat". [9] The effect can be easily simulated by evenly and repeatedly counting to four.
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In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" [1] This is indicated ...
There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)", [2] or "a duration scale which changes its 'time register' ... corresponds to a twelve-tone scale that extends over more than one octave".