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[21] Likewise, when describing the state of Hindi-Urdu under British rule in colonial India, Professor Sekhar Bandyopadhyay stated that "Truly speaking, Hindi and Urdu, spoken by a great majority of people in north India, were the same language written in two scripts; Hindi was written in Devanagari script and therefore had a greater sprinkling ...
Hindustani, also known as Hindi-Urdu, is the vernacular form of two standardized registers used as official languages in India and Pakistan, namely Hindi and Urdu.It comprises several closely related dialects in the northern, central and northwestern parts of the Indian subcontinent but is mainly based on Khariboli of the Delhi region.
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
— Prakrit paṇṇaraha > Old Hindi panaraha > *panrah (schwa deletion) > Hindustani pandrah, pandrā "fifteen" Unstressed (short) vowels are also lost in other positions, particularly initial vowels in words of 3 or more syllables or intertonic short vowels. — Old Hindi aḍhā́ī > Hindustani ḍhāī "two and a half"
Hindustani is right now the most spoken language in the Indian subcontinent and the fourth most spoken language in the world. The development of Hindustani revolves around the various Hindi dialects originating mainly from Sauraseni Apabhramsha. A Jain text Shravakachar written in 933AD is considered the first Hindi book. [3]
Language Notes Anguriyo Binimoy: Bhudev Mukhopadhyay: 1862 Bengali: First known historical novel of India. Doorgeshnondini: Bankim Chandra Chattopadhyay: 1865 Bengali: First part of first trilogy in historical novels of India. Set in the backdrop of Pathan-Mughal conflicts in south-western region Paschimbanga during the reign of Akbar. Kapalkundala
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The original Hindi dialects continued to develop alongside Urdu and according to Professor Afroz Taj, "the distinction between Hindi and Urdu was chiefly a question of style. A poet could draw upon Urdu's lexical richness to create an aura of elegant sophistication, or could use the simple rustic vocabulary of dialect Hindi to evoke the folk ...