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Toward the end of the 19th century, Navajo weavers began to make rugs for non-Native tourists and for export. Earlier Navajo textiles have strong geometric patterns. They are a flat tapestry-woven textile produced in a fashion similar to kilims of Eastern Europe and Western Asia, but with some notable differences. In Navajo weaving, the slit ...
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep, other breeds of sheep, or commercial wool. Designs can be pictorial or abstract, based on historic Navajo, Spanish, Asian, or Persian designs. 20th century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
In many homes the Navajo rugs were the focal point of the room, the colors and design of the rug helped to establish the color scheme of the room and allow for other decorations to be introduced. For the consumers having a Navajo rug showed their spiritual understanding, for the Navajo women it showed that they could be a part of the white culture.
Navajo weaver with sheep Navajo Germantown Eye Dazzler Rug, Science History Institute Probably Bayeta-style Blanket with Terrace and Stepped Design, 1870–1880, 50.67.54, Brooklyn Museum Navajos came to the southwest with their own weaving traditions; however, they learned to weave cotton on vertical looms from the Pueblo peoples.
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep or commercial wool. Designs can be pictorial or abstract, based on traditional Navajo, Spanish, Oriental, or Persian designs. 20th-century Navajo weavers include Clara Sherman and Hosteen Klah , who co-founded the Wheelwright Museum of the American Indian .
Melissa Cody (born 1983) is a Navajo textile artist from No Water Mesa, Arizona, United States. Her Germantown Revival style weavings are known for their bold colors and intricate three dimensional patterns. [1] [2] Cody maintains aspects of traditional Navajo tapestries, but also adds her own elements into her work. These elements range from ...
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