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Saint Sebastian is the subject of three paintings by the Italian Early Renaissance master Andrea Mantegna.The Paduan artist lived in a period of frequent plagues; Sebastian was considered protector against the plague as he had been shot through by arrows, and it was thought that plague spread abroad through the air.
St. Sebastian, 1480; panel; Musée du Louvre. Andrea Mantegna (UK: / m æ n ˈ t ɛ n j ə /, US: / m ɑː n ˈ t eɪ n j ə /; [2] [3] Italian: [anˈdrɛːa manˈteɲɲa]; c. 1431 – September 13, 1506) was an Italian Renaissance painter, a student of Roman archeology, and son-in-law of Jacopo Bellini.
St. Sebastian (detail), Andrea Mantegna, 1480, Musée du Louvre, Paris. Remains reputed to be those of Sebastian are housed in Rome in the Basilica Apostolorum, built by Pope Damasus I in 367 on the site of the provisional tomb of Saints Peter and Paul.
St. Sebastian, three different 15th-century paintings by Andrea Mantegna The Martyrdom of Saint Sebastian (Leonardo) , a drawing by Leonardo da Vinci Martyrdom of Saint Sebastian (Semitecolo) , 1367
The San Zeno Altarpiece is a polyptych altarpiece by the Italian Renaissance painter Andrea Mantegna created around 1456–1459. [1] It remains in situ in the Basilica di San Zeno, the main church of the Northern Italian city of Verona. [2] [3] Mantegna's style mixes Greco-Roman classical themes along with Christian subjects in this altarpiece. [4]
Lorenzo Mantegna sold the piece to Cardinal Sigismondo Gonzaga with permission from Isabella d'Este, a long time patron of Mantegna. [22] It was listed as a decoration for the rooms of Margherita Paleologa in 1531. By 1627, records place it in the 'Camerino delle Dame' where it likely remained until 1630 when much of the Mantua collection was ...
Sunday's game will mark the second Super Bowl for Swift, who cheered on her boyfriend, Kansas City Chiefs tight end Travis Kelce last year with help from some of her closest girlfriends last year.
The Holy Family with a Female Saint is a 1495–1505 tempera on canvas painting attributed to Andrea Mantegna - the lose of the original finish and re-painting means that the painting itself cannot be securely attributed to him, though the silverpoint under-drawing is definitely in the master's hand.