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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
Historically, a "masterpiece" was a work of a very high standard produced to obtain membership of a guild or academy in various areas of the visual arts and crafts. In painting, Leonardo da Vinci's Mona Lisa (c. 1503–06) is considered an archetypal masterpiece, [1] [2] [3] although it was not produced for admission to a guild or academy.
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
The most famous masterpiece in the museum is Picasso's 1937 painting Guernica. Along with its extensive collection, the museum offers a mixture of national and international temporary exhibitions in its many galleries, making it one of the world's largest museums for modern and contemporary art.
The history of Japanese painting is a long history of synthesis and competition between native Japanese aesthetics and adaptation of imported ideas. Korean painting, as an independent form, began around 108 B.C., around the fall of Gojoseon, making it one of the oldest in the world.
“It’s the painting that gave the movement its name. They weren’t known as Impressionists in 1874, but one critic in particular saw this painting and singled it out. It was a big deal.”
The Mona Lisa (/ ˌ m oʊ n ə ˈ l iː s ə / MOH-nə LEE-sə; Italian: la Gioconda [la dʒoˈkonda] or Monna Lisa [ˈmɔnna ˈliːza]; French: la Joconde [la ʒɔkɔ̃d]) is a half-length portrait painting by Italian artist Leonardo da Vinci.
Las Meninas has long been recognised as one of the most important paintings in the history of Western art. The Baroque painter Luca Giordano said that it represents the "theology of painting", and in 1827 the president of the Royal Academy of Arts Sir Thomas Lawrence described the work in a letter to his successor David Wilkie as "the true ...