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The Nashville sound was pioneered by staff at RCA Victor, Columbia Records and Decca Records in Nashville, Tennessee.RCA Victor manager, producer and musician Chet Atkins, and producers Steve Sholes, Owen Bradley and Bob Ferguson, and recording engineer Bill Porter invented the form by replacing elements of the popular honky tonk style (fiddles, steel guitar, nasal lead vocals) with "smooth ...
Chester Burton Atkins (June 20, 1924 – June 30, 2001), also known as "Mister Guitar" and "the Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played ...
RCA Studio B was a music recording studio in Nashville, Tennessee established in 1957 by Steve Sholes and Chet Atkins for RCA Victor.Originally known simply as the RCA Victor Studio, in 1965 the studio was designated as Studio B after RCA Victor built the newer, larger Studio A in an adjacent building.
William Owen Bradley (October 21, 1915 [1] – January 7, 1998) [2] was an American musician, bandleader and record producer who, along with Chet Atkins, Bob Ferguson, Bill Porter, and Don Law, was a chief architect of the 1950s and 60s Nashville sound in country music and rockabilly.
With its live room measuring 75 x 45 feet with 25 foot high ceiling, [4] it was the largest studio room in Nashville when it opened. [5] [6] The studio was based on the ideas of Chet Atkins, Owen Bradley and Harold Bradley. [7] Studios A and B were collectively referred to as the RCA Victor Nashville Sound Studios. [7]
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The Nashville Sound of Jody Miller is a studio album by American singer Jody Miller. It was released in November 1968 via Capitol Records and contained 12 tracks. The album was Miller's second to completely feature country material and her first to be recorded in Nashville, Tennessee .
The most famous version was performed by country music singer Jim Reeves, who styled the song in his favoured style of Nashville Sound.Reeves' version was included on his 1962 album A Touch of Velvet and was released as a single in the United States in early 1964, reaching No. 2 on the Billboard Hot Country Singles chart in the spring of that year.