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Social Darwinism, as almost everyone knows, is a Bad Thing. Hofstadter, Richard (1992) [1944]. Social Darwinism in American Thought (new introduction ed.). Philadelphia: University of Pennsylvania Press. ISBN 978-0807055038. Jones, Leslie, "Social Darwinism Revisited", History Today, Vol. 48, August 1998 Archived 4 June 2011 at the Wayback Machine
Social Darwinism in European and American Thought, 1860–1945 (ISBN 052157434X) is a book by Mike Hawkins published in 1997 on social darwinism. [1] [2] It deals with the rise of Charles Darwin's ideas and their applications to the individual and society following the publication of The Origin of Species.
Because social evolution was posited as a scientific theory, it was often used to support unjust and often racist social practices – particularly colonialism, slavery, and the unequal economic conditions present within industrialized Europe. Social Darwinism is especially criticised, as it purportedly led to some philosophies used by the Nazis.
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According to the historian of social thought Mike Hawkins, Emile Gautier was the first to use the term "social darwinism" in his pamphlet of the same name published in 1880 in Paris. [4] He became a well-known popular science writer.
The ideology generally rejects Whig historiography, [3] the concept that history shows an inevitable progression towards greater liberty and enlightenment, culminating in liberal democracy and constitutional monarchy, [3] in favor of a return to traditional societal constructs and forms of government, including absolute monarchism and other ...
Cultural evolution is an evolutionary theory of social change.It follows from the definition of culture as "information capable of affecting individuals' behavior that they acquire from other members of their species through teaching, imitation and other forms of social transmission". [1]
However, some of its preoccupations lived on in the world of eugenics and social Darwinism. It is notable that the Nazi attack on western liberal society was largely couched in terms of degenerate art with its associations of racial miscegenation and fantasies of racial purity —and included as its target almost all modernist cultural experiment.