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In linguistics, anaphora (/ ə ˈ n æ f ər ə /) is the use of an expression whose interpretation depends upon another expression in context (its antecedent).In a narrower sense, anaphora is the use of an expression that depends specifically upon an antecedent expression and thus is contrasted with cataphora, which is the use of an expression that depends upon a postcedent expression.
An aphorism (from Greek ἀφορισμός: aphorismos, denoting 'delimitation', 'distinction', and 'definition') is a concise, terse, laconic, or memorable expression of a general truth or principle. [1] Aphorisms are often handed down by tradition from generation to generation.
The second stanza of William Blake's London represents an example of anaphora. This image is a digital reproduction of his hand-painted 1826 print from Copy AA of Songs of Innocence and Experience.
“Aphorism” is a slightly vague term, especially compared to some of its grammar fellows. An aphorism doesn’t have to follow any strict grammatical rule, unlike palindromes or pangrams .
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Ars longa, vita brevis is a Latin translation of an aphorism coming originally from Greek. It roughly translates to "skillfulness takes time and life is short". The aphorism quotes the first two lines of the Aphorisms by the ancient Greek physician Hippocrates: "Ὁ βίος βραχύς, ἡ δὲ τέχνη μακρή".
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