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The term dàojiàotú (道教徒; 'follower of Dao'), with the meaning of "Taoist" as "lay member or believer of Taoism", is a modern invention that goes back to the introduction of the Western category of "organized religion" in China in the 20th century, but it has no significance for most of Chinese society in which Taoism continues to be an ...
Three Treasures ― basic virtues in Taoism, including variations of "compassion", "frugality", and "humility". Arthur Waley described these Three Treasures as, "The three rules that formed the practical, political side of the author's teaching (1) abstention from aggressive war and capital punishment, (2) absolute simplicity of living, (3) refusal to assert active authority."
The Tao is the fundamental and central concept of these schools of thought. Taoism perceives the Tao as a natural order underlying the substance and activity of the Universe. Language and the "naming" of the Tao is regarded negatively in Taoism; the Tao fundamentally exists and operates outside the realm of differentiation and linguistic ...
During the medieval period (中世紀) Taoists developed the idea of the "true form" or zhenxing.The term "true form" denotes the original form something has as a part of the Dao (道, dào), which Taoists refer to as the "Great Image without form" (大象無形), [5] and can be applied to a broad range of things such as a deity, an icon, a purified self, a talisman, or a picture.
Bagua diagram from Zhao Huiqian's (趙撝謙) Liushu benyi (六書本義, c. 1370s).. The Daodejing (also known as the Laozi after its purported author, terminus ante quem 3rd-century BCE) has traditionally been seen as the central and founding Taoist text, though historically, it is only one of the many different influences on Taoist thought, and at times, a marginal one at that. [12]
The Religion of China: Confucianism and Taoism is a book written by Max Weber, a German economist and sociologist. It was first published in German under the title Konfuzianismus und Taoismus in 1915 and an adapted version appeared in 1920. An English translation was published in 1951 and several editions have been released since.
The play's setting is a barren, empty landscape, and the characters are caught in an endless wait for something that never arrives. The Void here represents the absence of meaning, purpose, and resolution, reflecting the existentialist idea that life is fundamentally devoid of intrinsic meaning. [27]
Taoism evolved in response to changing times, with its doctrine and associated practices being revised and refined. The acceptance of Taoism by the ruling class has waxed and waned, alternately enjoying periods of favor and rejection. Most recently, Taoism has emerged from a period of suppression and is undergoing a revival in China.