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As it is based on Arabic letters, some call it "Arabic calligraphy". However the term "Islamic calligraphy" is a more appropriate term as it comprises all works of calligraphy by Muslim calligraphers of different national cultures, such as Persian or Ottoman calligraphy, from Al-Andalus in medieval Spain to China.
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
In most of these systems, some consonant-vowel combinations are written as syllables, but others are written as consonant plus vowel. In the case of Old Persian, all vowels were written regardless, so it was effectively a true alphabet despite its syllabic component. In Japanese a similar system plays a minor role in foreign borrowings; for ...
Lower-case letters are used for unaspirated consonants and short vowels, while capital letters are used for aspirated consonants and long vowels. While the retroflex stops are mapped to 't, T, d, D, N', the dentals are mapped to 'w, W, x, X, n'. Hence the name 'WX', a reminder of this idiosyncratic mapping.
and other alphabets: Cyrillic, Greek, Hebrew, and Thai. [6] Tengwar; Tibetan Machine Uni; Urdu Typesetting [7] is designed for Urdu. The character set covers other languages (such as Arabic and Persian) but the Nastaliq style is unusual for modern documents in languages other than Urdu. Wilson Greek
Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt (Arabic: خَطّ), derived from the words 'line', 'design', or 'construction'. [1] [2] Kufic is the oldest form of the Arabic script.
Mkhedruli letters are written in the four-linear system, similar to Nuskhuri. Mkhedruli becomes more round and free in writing. It breaks the strict frame of the previous two alphabets, Asomtavruli and Nuskhuri. Mkhedruli letters begin to get coupled and more free calligraphy develops. [57]
In the Arabic alphabet, and many others derived from it, letters are regarded as having two or three general forms each, based on their position in the word (though Arabic calligraphy can add a great deal of complexity). But the Nastaliq style in which Urdu is written uses more than three general forms for many letters, even in simple non ...
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