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Former slave Wes Brady in Marshall, Texas, in 1937 in a photo from the Slave Narrative Collection. Slave Narratives: A Folk History of Slavery in the United States (often referred to as the WPA Slave Narrative Collection) is a collection of histories by formerly enslaved people undertaken by the Federal Writers' Project of the Works Progress Administration from 1936 to 1938.
The development of slave narratives from autobiographical accounts to modern fictional works led to the establishment of slave narratives as a literary genre.This large rubric of this so-called "captivity literature" includes more generally "any account of the life, or a major portion of the life, of a fugitive or former slave, either written or orally related by the slave himself or herself". [4]
Upon listening to his oratory, many were skeptical of the stories he told. After publication of the Narrative, however, the public was swayed. [7] Margaret Fuller, a prominent transcendentalist, author, and editor, admired Douglass's book: "we have never read [a narrative] more simple, true, coherent, and warm with genuine feeling". [8]
Slave narratives — works mostly associated with Africans or African Americans who escaped from slavery to freedom. For their works, see: Category: Slave narratives , and for works associated with Europeans held captive, see: Category: Captivity narratives .
Slave narratives — works associated with people after they escaped from slavery to freedom. For works associated with people held captive, see: Category: ...
Pioneers of the Black Atlantic: Five Slave Narratives, 1772–1815 (co-editor, 1998) The Civitas Anthology of American Slave Narratives (co-editor, 1999) Toni Morrison’s Beloved: A Casebook (co-editor, 1999) Slave Narrative (co-editor, 2000) Conjure Tales and Stories of the Color Line, by Charles W. Chesnutt (editor, 2000)
“The United States Governed by Six Hundred Thousand Despots” offers a harsh indictment of slavery and American democracy.
The book was published by Bela Marsh, a for-profit anti-slavery press, first in 1848, [14] with a second edition in 1849 [15] and a third in 1850. [16]Describing five slave narratives including that of Henry Watson, The Christian Examiner and Religious Miscellany wrote, "We place these volumes without hesitation among the most remarkable productions of the age,—remarkable as being pictures ...
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