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In theater and film, a cyclorama (abbreviated cyc in the U.S., Canada, and the UK) is a large curtain or wall, often concave, positioned at the back of the apse. It often encircles or partially encloses the stage to form a background. The world "cyclorama" stems from the Greek words "kyklos", meaning circle, and "orama", meaning view.
Strip lights, also known as cyclorama or cyc lights (thus named because they are effective for lighting the cyclorama, a curtain at the back of the stage), border lights, and codas (by the brand name), are long housings typically containing multiple lamps arranged along the length of the instrument and emitting light perpendicular to its length.
A cyclorama, or cyc for short, is a large curtain, often concave, at the back of the stage that can be lit to represent the sky or other backgrounds. Traditionally white or natural colored cloth, cycloramas now come in various colors of white, grey, light blue and the green or blue curtains used in Chroma key (greenscreen) work may also be ...
Historic Outdoor Forest Theater in Carmel, California, at sunset. The following outline is provided as an overview of and topical guide to theatre: . Theatre – the generic term for the performing arts and a usually collaborative form of fine art involving live performers to present the experience of a real or imagined event (such as a story) through acting, singing, and/or dancing before a ...
The main action centerpiece of the 1899 play Ben-Hur was the use of a live chariot race using real horses and real chariots set against a cyclorama. The Era's drama critic detailed how it was achieved by "four great cradles, 20ft in length and 14ft wide, which are movable back and front on railways". The horses galloped full-pelt towards the ...
A central aspect of theatre of the absurd is the deliberate contradiction between language and action. Often, the dialogue between characters starkly contrasts with their actions. Prominent playwrights within this genre include Samuel Beckett , Jean-Paul Sartre , Eugène Ionesco , Arthur Adamov , and Jean Genet .
Theatre technique is part of the playwright's creative writing of drama, as a kind of mimesis rather than mere illusion or imitation of life, in that the playwright is able to present a reality to the audience that is different, yet recognisable to that which they usually identify with in their everyday lives.
After Life (play) Alasco; Albina, Countess Raimond; All in the Wrong; All of Us (play) All That Matters (play) All You Need is LSD; Almeyda, Queen of Granada; Almyna: or, The Arabian Vow. A Tragedy; Alzuma; Amasis, King of Egypt; And a Nightingale Sang; Angels in Love; Animal Magnetism (play) Anne Blake; Antonio (play) The Apostate (play) The ...