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  2. Droving into the light - Wikipedia

    en.wikipedia.org/wiki/Droving_into_the_light

    Essential to the composition of the artwork are the salient eucalyptus trees, which became a prominent symbol of Heysen's oeuvre throughout the course of his career. [4] Of note in Droving Into the Light specifically is the large river red gum ( Eucalyptus camaldulensis ), which was an afterthought of Heysen's that intended to bring the fine ...

  3. Percy Gray - Wikipedia

    en.wikipedia.org/wiki/Percy_Gray

    Percy Gray (October 3, 1869 – October 10, 1952) was an American painter. At the 1915 Panama–Pacific International Exposition he won a bronze medal for his watercolor Out of the Desert, Oregon. [1]

  4. Sydney J. Yard - Wikipedia

    en.wikipedia.org/wiki/Sydney_J._Yard

    He became a master of English watercolor technique. He was also an oil painter. His works were in the Tonalist tradition of George Inness and William Keith, where the emphasis was on painting modest, Barbizon influenced scenes, rendered in warm tones. Yard's watercolors were of the eucalyptus, oaks, and the cypress trees. [4]

  5. California series by Childe Hassam - Wikipedia

    en.wikipedia.org/wiki/California_series_by...

    Eucalyptus Trees–Spring (California Hills back of Tamalpais) [9] Oil on canvas Unknown Norton Museum of Art: Gift of Dr. S. Charles and Marcella Ungar Werblow 2016 [15] 1914 San Anselmo [9] Oil on canvas Unknown Unknown First exhibited 1915 [1] 1914 Point Lobos [9] Oil on canvas 28.3 in (71.9 cm) × 36.1 in (91.9 cm) Los Angeles County Museum ...

  6. Judith Belzer - Wikipedia

    en.wikipedia.org/wiki/Judith_Belzer

    Judith Belzer, From the Anthropocene #5, oil on canvas, 60" x 60", 2015. Judith Belzer (born 1956) is an American painter based in Berkeley, California. [1] [2] She is known for semi-abstract oils and watercolors depicting invented landscapes in which the natural and built worlds collide and adjoin.

  7. Charles E. Burchfield - Wikipedia

    en.wikipedia.org/wiki/Charles_E._Burchfield

    These large paintings have a solid look unusual in watercolors, resembling oil paintings, and they are the works most often seen in art history texts. Though one critic commented that Burchfield was "Edward Hopper on a rainy day," a 1936 Life Magazine article named him one of America's 10 greatest painters.

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