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The sword is the symbol of the Tynwald, which is said to be the oldest continuous parliament in the world. The sword signifies the duty of the Sovereign of the Isle of Man, who through the Tynwald, is bound to protect and defend the Manx people from their foes. Without the sword, the Tynwald cannot be deemed to be properly constituted.
The Nihon Bijutsu Tōken Hozon Kyōkai (日本美術刀剣保存協会, 'The Society for Preservation of Japanese Art Swords', NBTHK) is a public interest incorporated foundation established in February 1948 to preserve and promote Japanese swords that have artistic value. They run a Japanese Sword Museum in Tokyo and have a secretariat in the ...
Edo period Antique Japanese wakizashi sword blade showing the horimono, of a chrysanthemum. Horimono (彫り物, 彫物, literally carving, engraving), also known as chōkoku (彫刻, "sculpture"), are the engraved images in the blade of a nihonto (日本刀) Japanese sword, which may include katana or tantō blades. [1]
According to legend, these treasures were brought to Earth by Ninigi-no-Mikoto, legendary ancestor of the Japanese imperial line, when his grandmother, the sun goddess Amaterasu, sent him to pacify Japan. [5] These treasures were eventually said to be passed down to Emperor Jimmu, who was the first Emperor of Japan and Ninigi's great-grandson. [6]
Lores in the late Muromachi period (early 16th century–1573) stated that Muramasa I was a student of Masamune (c. 1300), the greatest swordsmith in Japan's history, and the Hon'ami family (family dynasty of swordpolishers and sword connoisseurs) commented that his floruit was the Jōji era (1362–1368). [9]
The Chrysanthemum and the Sword: Patterns of Japanese Culture is a 1946 study of Japan by American anthropologist Ruth Benedict compiled from her analyses of Japanese culture during World War II for the U.S. Office of War Information. Her analyses were requested in order to understand and predict the behavior of the Japanese during the war by ...
Sōshū Sadamune is believed at the present time to have trained four students Nobukuni (信国) [6] who formed a long lineage of swordsmiths under the same name, Nobukuni [7] famous for his horimono images carved into the blades, and Takagi Sadamune (江州 住貞宗 - goshu takaki ju Sadamune).
The curriculum of Mugai-ryū consists of 10 techniques with a long sword and 3 techniques with a short sword. [3] Later, the techniques for duels ( shiaiguchi 試合口) were also added. An analysis of the techniques present in Mugai-ryū shows a clear influence of Ittō-ryū , so either the Yamaguchi-ryū studied by Tsuji was a derivation of ...