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However, the 1931 Frankenstein film by Universal Pictures and its sequel Bride of Frankenstein have had an immense influence on the appearance and wider cultural understanding of the character. This rendition of the creation is the most pervasive and appears in pop culture and advertising very frequently, giving it an iconic image and status.
Boris Karloff as Frankenstein's monster, Basil Rathbone as Dr. Frankenstein's son Wolf Frankenstein, and Bela Lugosi as Ygor in Son of Frankenstein (1939). Igor, or sometimes Ygor, is a stock character, a sometimes hunch-backed laboratory assistant to many types of Gothic villains or as a fiendish character who assists only himself, the latter most prominently portrayed by Bela Lugosi in Son ...
The next day, producer George Waggner was instructed to order the same type of makeup Karloff wore for the new actor, with instructions that changing the appearance may "kill the interest of Frankenstein follower". [25] Lon Chaney Jr. was chosen to play the monster. [25] The Ghost of Frankenstein was released on March 13, 1942. [25]
Frankenstein is a British horror-adventure film series produced by Hammer Film Productions. The films, loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley, are centered on Baron Victor Frankenstein, who experiments in creating a creature beyond human. The series is part of the larger Hammer horror oeuvre.
The Universal Studios back lot, which opened its Hollywood, California, doors in 1915, is basically the birth place of the classic scary films.
The Ghost of Frankenstein: Ygor Erle C. Kenton [101] S.O.S. Coast Guard: Boroff Feature version of the 1937 serial The Corpse Vanishes: Dr. Lorenz Wallace Fox [102] Night Monster: Rolf Ford Beebe [103] Bowery at Midnight: Professor Brenner and Karl Wagner Wallace Fox [104] 1943 Frankenstein Meets the Wolf Man: Frankenstein Monster: Roy William ...
While heading home, Alan’s kidnapped by a child genius named Igor and taken to a warehouse of Dr. Tanner Finski. There they remove one of Alan’s eyeballs and put it into his Frankenstein monster. While Igor injects Frankenstein with a special regeneration liquid, Alan stumbles and activates the process which brings Frankenstein to life.
After Frankenstein and starring in several high-profile films such as Bride of Frankenstein (1935) [2] and The Mummy (1932), Karloff spent the remainder of the 1930s working at an incredible pace, but getting progressively involved in lower budget films. In the 1940s, he began to get stereotyped into playing "mad scientist" roles.