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A central theme of the book is the changing relationship between faith and reason. Koestler explores how these seemingly contradictory threads existed harmoniously in many of the greatest intellectuals of the West. He illustrates that while the two are estranged today, in the past the most ground-breaking thinkers were often very religious.
The Act of Creation is a 1964 book by Arthur Koestler.It is a study of the processes of discovery, invention, imagination and creativity in humour, science, and the arts. It lays out Koestler's attempt to develop an elaborate general theory of human creativit
The Yogi and the Commissar (1945) is a collection of essays of Arthur Koestler, divided in three parts: Meanderings, Exhortations and Explorations.In the first two parts he has collected essays written from 1942 to 1945 and the third part was written especially for this book.
Arthur Koestler CBE (UK: / ˈ k ɜː s t l ər /, US: / ˈ k ɛ s t-/; German:; Hungarian: Kösztler Artúr; 5 September 1905 – 1 March 1983) was an Austro-Hungarian-born author and journalist. Koestler was born in Budapest , and was educated in Austria, apart from his early school years.
Robertson claims that the term holacracy is derived from the term holarchy; the latter was coined by Arthur Koestler in his 1967 book The Ghost in the Machine. [ 8 ] Koestler wrote that a holarchy is composed of holons (Greek: ὅλον, holon neuter form of ὅλος, holos "whole") or units that are autonomous and self-reliant, but also ...
The God That Failed is a 1949 collection of six essays by Louis Fischer, André Gide, Arthur Koestler, Ignazio Silone, Stephen Spender, and Richard Wright. [1] The common theme of the essays is the authors' disillusionment with and abandonment of communism .
The term holon was coined by Arthur Koestler in The Ghost in the Machine (1967), though Koestler first articulated the concept in The Act of Creation (1964), in which he refers to the relationship between the searches for subjective and objective knowledge: Einstein's space is no closer to reality than Van Gogh's sky.
This is a common theme in Koestler's work and life. Koestler uses his portrayal of the original slave revolt to examine the experience of the 20th-century political left in Europe following the rise of a Communist government in the Soviet Union. He published it on the brink of World War II. Originally written in German, the novel was translated ...