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The phrase port de bras is used in some schools and parts of the world to indicate a bending forward, backward, or circularly of the body at the waist, generally to be followed by bringing the upper body back to center/upright again, e.g. "port de bras forward", "port de bras back", "circular port de bras/grand port de bras".
I have only studied in a school claiming to teach "American" style - supposedly a mix of all styles - but the terms I have been looking for the spelling of: saut de chat {pronounced "sō-də-shǎ" (a leap similar to grand jeté but beginning with a developpé)} tembé {pronounced "tǒm-bě" meaning "to fall" (often happens before a pas de ...
Bras bas or bras au repos: both arms are rounded with the fingers almost touching, both hands just in front of the hips. First position: maintaining this curved shape, arms are brought up so that the tips of the fingers are in line with the navel. Second position: arms are out to the sides, angled down and forward, with palms facing forward ...
Ballet technique is also used to exhibit ballon, the appearance of gravity-defying lightness, during leaps. Pointe technique is the part of ballet technique concerned with dancing on the tips of fully extended feet. The core techniques of ballet are common throughout the world, though there are minor variations among the different styles of ballet.
They move sideways, doing sixteen pas de chat. Ideally, the dancers move in exact unison. At the very end, they break their chain and try to "fly", only to drop to the ground. According to ballet writer Jean Battey Lewis in a 1997 NPR commentary [1] the Little Swans are usually portrayed by unknown, up-and-coming dancers. Ironically, in view of ...
leap or skip A melodic interval greater than a major 2nd, as opposed to a step. Melodies which move by a leap are called "disjunct". Octave leaps are not uncommon in florid vocal music. lebhaft (Ger.) Briskly, lively legato Joined (i.e. smoothly, in a connected manner) (see also articulation) leggiadro Pretty, graceful leggierissimo Very light ...
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The Afternoon of a Faun (French: L'Après-midi d'un faune) is a ballet choreographed by Vaslav Nijinsky for the Ballets Russes, and was first performed in the Théâtre du Châtelet in Paris on 29 May 1912. Nijinsky danced the main part himself. The ballet is set to Claude Debussy's symphonic poem Prélude à l'après-midi d'un faune.