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"Delilah" is a song recorded by Welsh singer Tom Jones in December 1967. The lyrics were written by Barry Mason , and the music by Les Reed , who also contributed the title and theme of the song. It earned Reed and Mason the 1968 Ivor Novello award for Best Song Musically and Lyrically.
Some keys and ideas were also suggested by the producer. The song chronicles the effort of Mercury continuing to perform despite approaching the end of his life. [25] The song was initially not released as a single as part of promotion for the Innuendo album, but was released in October 1991 as the band launched their Greatest Hits II album.
The live version was included on the 1993 EP Five Live, credited to 'George Michael with Queen & Lisa Stansfield'. [14] The song was played on the 2005/2006 Queen + Paul Rodgers tours with vocals provided by Roger Taylor. On stage the song was accompanied by a video of the band in their early days in Japan, including many shots focusing on past ...
Delilah (comics), a Marvel Comics character, an enemy of Spider-Man; Del Dingle (Delilah "Del" Dingle), a fictional character in the British soap opera Emmerdale; Delilah, in the animated series Delilah & Julius; Delilah, a horse in the TV series Steptoe and Son; Delilah, a character in works by American novelist Barry Eisler
"Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with guitarist Bob Weir singing lead vocals. The 1977 album Terrapin Station featured a studio recording of the song.
Alternative singer PJ Harvey mentions the story of Samson and Delilah in her song "Hair." The Arctic Monkeys music video Black Treacle is a take on the story of Samson and the lion. Christian comedian Tim Hawkins wrote a parody of the Plain White-T's song "Hey There, Delilah" based on the story of Samson and Delilah.
"Hey There Delilah" is a song by American pop rock band Plain White T's, for whom it remains their signature song. It was released on May 9, 2006, as an EP from their third studio album, All That We Needed (2005). The song was later released in 2007 as a single from their fourth studio album, Every Second Counts (2006), with added string ...
The song is composed in the key of B major. The earlier recording from Songs has a tempo of 76 beats per minute, whereas the Begin to Hope version was recorded at a significantly faster tempo of 90 beats per minute. [8] The song alters between bars of 6/4 and bars of 4/4. [9] Spektor's voice ranges from the low note of B3 to the high notes of D ...