Search results
Results from the WOW.Com Content Network
Wucai (五彩, "Five colours", "Wuts'ai" in Wade-Giles) is a style of decorating white Chinese porcelain in a limited range of colours. It normally uses underglaze cobalt blue for the design outline and some parts of the images, and overglaze enamels in red, green, and yellow for the rest of the designs.
Famille verte (康熙五彩, Kangxi wucai, also 素三彩, Susancai), adopted in the Kangxi period around 1680, uses green in a few different shades and iron red with other overglaze colours. It developed from the wucai (五彩, "five colours") style, which combines underglaze cobalt blue with a few overglaze colours.
It developed from the wucai (五彩, "five colours") style. 'Famille jaune is a variation using famille verte enamels on a yellow ground ( 黃地 ), often painted on the biscuit . Famille noire ( 墨地素三彩 , modi susancai ) is another subtype of famille verte , but it uses a black ground.
The style was discontinued after a few decades, as a suitable overglaze blue was developed, but later revived under the Qing dynasty. It is not to be confused with the wucai style, which was a related early technique for polychrome painting. [3]
The decorations are painted in the doucai painting style of the Ming Dynasty, which translates to 'contending' or 'contrasting colours'. [20] The cup is classified as a wucai ware, meaning the cup features five colours. [10]
Wucai plate, Chinese export porcelain, Kangxi period c. 1680 Painters' workshop at the Imperial Porcelain Manufactory in Vienna c. 1830 Porcelain painting in Weimar, Germany in 1989 China painting , or porcelain painting , [ a ] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Other styles of porcelain continued to be made, including rather uninspired continuations of Ming styles. The true transitional style is finely potted and painted, with a deep blue compared to "violets in milk". Many pieces have groups of figures in an extravagant landscape with mountains, clouds, and the moon.